The Happy Prince

by Oscar Wilde
Griffin Theatre

June 25 – July 6, 2019
La Mama Theatre

January 18- 29, 2017
Director: Stephen Nicolazzo
Set and Costume Design: Eugyeene Teh
Lighting Design: Katie Sfetkidis
Sound Design: Daniel Nixon
Producer: Jo Porter
Stage Manager: Jacinta Anderson
Assistant Director: Paul Blenheim
Assistant Stage Manager:
Kristina Arnott
Design Assistant: James Lew
Janine Watson and
Catherine Davies
Presented by La Mama, Little Ones Theatre and Midsumma Festival


Little Ones Theatre, purveyors of high camp, take on Oscar Wilde’s darkly romantic fairytale.

An adults-only parable of a selfless swallow and a golden statue reveals the betrayal inherent in perceptions of gender, beauty, sex, and class.

“As he is no longer beautiful, he is no longer useful.”

Memorialised in living death as a golden statue, a happy prince convinces a swallow to deliver jewels to the poor until, eventually, each of their hearts is broken.

Little Ones Theatre transposes this moral and social allegory of Victorian oppression into the world of contemporary homosexual iconography.

The Happy Prince played to a sold out season at La Mama as part of the 2017 Midsumma Festival and added several shows due to high demand. It was critically acclaimed by critics and audiences alike and marked a new direction for Little Ones Theatre.

The Happy Prince received 5 Green Room Award nominations in 2018 including: Best Production, Best Director (Stephen Nicolazzo), Best Set and Costume Design (Eugyeene Teh), Best Lighting Design (Katie Sfetkidis) and Best Sound Design (Daniel Nixon). It won the Green Room Award for Best Director and Best Set and Costume Design.

Featured in: The Age’s Best of Melbourne Theatre 2017, My Melbourne Arts Top 10- Best Shows of 2017, and Sometimes Melbourne’s What Melbourne Loved yearly round up.


★★★★½ “A ‘flawless little jewel of theatre’. Little Ones Theatre has both roles played by women. And its version hovers, with exquisite delicacy, between the soul of the fairytale and the body and breath of a lesbian love story. As with the conception and Stephen Nicolazzo’s direction, the performances are wonderfully poised and labile. They give a full measure of dignity to the story, yet draw out undertones of playfulness and sensuality, with a hint of the macabre.”
Cameron Woodhead, The Age.

“Detailed, sumptuous, and authentically sensuous. Nothing is accidental. Nothing is incidental. Even the quietly stuttering smoke machine sounds timid and mournful. And, thanks to the performances, we are made one with what we see”
Chris Boyd, The Australian

“Little Ones Theatre have expertly created a powerfully affecting and layered story of deep affection and sacrifice that will linger in your mind long after the final scene.”
Myron My, Theatre Press

“Captivating…under Stephen Nicolazzo’s direction the actors give restrained, elegant performances that alternately make you laugh and break your heart. We are lucky to have a company like Little Ones Theatre in Melbourne”
Kate Purvis, Aussie Theatre

“Little Ones Theatre have done that deft thing of honouring the source material while making it utterly their own to the point where you’d be forgiven for thinking it was always theirs. While the play’s final lament is devastating, there’s also hope in how it reaffirms that in the face of cynicism and a world where so many people struggle to have compassion or empathy for others that we really have no choice but to love fiercely, even if our hearts get broken.”
David Collins, Arts Review

“An entrancing, resonant, contemporary interpretation of Wilde’s deeply moving work. It could almost be a film – with perfectly set up frame following perfect frame. Nicolazzo is, if there is such a thing, a Theatre Auteur. “
Suzanne Sandow, Stage Whispers

“A delightfully exquisite and heart-squeezing piece of theatre that’s ready to go to festivals all over the world.”
Anne-Marie Peard, Sometimes Melbourne

“Thank you Little Ones Theatre for another remarkable production. The Happy Prince is rich, beautiful, thoughtful, sincere and, at just the right moments, silly and sad in equal measure.”
Richard Watts, Triple RRR